Amazing Blondel-England

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John Gladwin and Terry Wincott had both played in a loud "electric" band called Methuselah. However, at some point in Methuselah concerts, the duo would play an acoustic number together: they found that this went down well with the audiences and allowed them to bring out more of the subtlety of their singing and instrumental work. They left Methuselah in 1969 and began working on their own acoustic material.

Initially their material was derived from folk music, in line with many of the other performers of the time. However, they began to develop their own musical idiom, influenced, at one extreme, by the early music revivalists such as David Munrow, and the other extreme, by their childhood memories of the Robin Hood TV series, with its pseudo-mediaeval soundtrack by Elton Hayes.

The band was named after Blondel, the musician in the court of Richard I. According to legend, when Richard was held prisoner, Blondel travelled through central Europe, singing at every castle to locate the King and assist his escape. This name for the band was suggested by a chef called Eugene McCoy who listened to some of their songs and commented: "Oh, very Blondel!" and they began to use that name. They were then advised to add an adjective (in line, for example, with the Incredible String Band) and so they became "Amazing Blondel".

Their first album The Amazing Blondel was recorded in 1969 and released by Bell Records. It was directed by legendary session guitarist Big Jim Sullivan. At about this time, Eddie Baird (who had known the other members at school) joined the band. Following what Baird described as "a disastrous 'showbiz' record signing", Amazing Blondel were introduced, by members of the band Free, to Chris Blackwell of Island Records and Artists. Blackwell signed them up to Island, for whom they recorded their three defining albums, Evensong, Fantasia Lindum and England.

In Baird's words (in a 2003 interview) the band "adored recording". They recorded the Island albums in the company's Basing Street Studios which, at that time, was the source of some of the most innovative independent music in Britain.

They toured widely, both in their own concerts and as a support act for bands such as Genesis, Procol Harum and Steeleye Span. On stage, they aimed at technical precision of the music and versatility of instrumentation (with most concerts involving the use of some forty instruments) interspersed with banter and bawdy humour. However, there was a conflict between their managers' desires to organise ever more demanding tour schedules and the band's own wish to spend more time writing material and working in the studio. In the end, this led to the departure of John Gladwin (who had written most of their material) from the band in 1973, and the remaining two members decided to continue as a duo, although they shortened the band name simply to Blondel. In this new format, they went on to record several more albums with a number of guest musicians, including Steve Winwood and Paul Kossoff.

By the end of the 1970s, with Punk being the largest selling music genre and with folk losing popularity, Baird and Wincott stopped performing under the Blondel name. John Gladwin reinherited the name and began to tour universities with bandmates, and former session players for the original Blondel, Adrian Hopkins and Paul Empson. This line-up had originally been billed as "John David Gladwin's Englishe Musicke".

The original band reformed in 1997 and produced a new album Restoration. They have since played at venues across Europe in the period 1997–2000. As of 2005, Terry Wincott has recently had a successful heart bypass operation, which curtailed the band's plans for future concerts.

In 2005, Eddie Baird played two concerts in a duo with acoustic guitarist and singer songwriter Julie Ellison and is currently working on a collaboration with Darryl Ebbatson, called "Ebbatson Baird".


Amazing Blondel-England @320
1. Seascape
2. Landscape
3. Afterglow
4. A spring air
5. Cantus Firmus to counterpoint
6. Sinfonia for guitar and strings
7. Dolor Dulcis (Sweet Sorrow)
8. Lament to the Earl of Bottesford Beck

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